If there is one thing artists love—regardless of preferred medium or skill level—it’s talking about art supplies. If you’re ever hanging out with an artist and need to fill an awkward silence, just ask what kind of pencil they use, or if they have any paper recommendations. You are guaranteed to encounter some disproportionately strong opinions.
I am no different, of course, so I thought I’d share some of my favorites.
Pens
Most of my finished work is done with a Speedball pen, the kind with the cheap plastic holder and separate nib, but I always carry a variety of brush pens and pencils in my purse, for out-of-the-house drawing. Overall these are my go-tos:
Watercolors
For my color work, I use tubes of watercolors, along with an excellent set that a watercolorist friend gave me.
The brilliant cartoonist Richard Thompson was the ultimate authority on watercolors as far as I’m concerned. A lot of my palette recommendations I take from this thirteen year old post he wrote on his blog.
I also love this Daniel Smith watercolor sample sheet, which is a fun cheap way to try new colors:
Paper
My cheap paper go-tos are: tracing paper, slightly-nicer tracing paper, and graph paper. When find yourself drawing something you like by accident (which is like 70% of the time) it’s convenient to trace what you did, or perfect it a bit before committing to your fancy paper. I use a rechargeable lightbox for the same reason.
My nicer paper is Arches, Bristol Board, and Stonehenge. Pre-cut paper is also something I’ve always found very soothing:
Sketchbooks
My unpopular opinion is that Moleskines…aren’t that great. I mean, they’re fine. I like that they have a pocket in the back, which I think should come standard issue with all sketchbooks. But I think the Blackwing Slate Notebook, which has all of the frills of a Moleskine and comes with an elastic loop on the side for holding your pencil is a far superior sketchbook.
If you have your own strong opinions about art supplies—or pen recommendations!—I welcome hearing from you in the comments.
I absolutely love this post. I could read this stuff for hours. I totally agree about that post from Richard. I remember being in Australia when I read it and being so frustrated that I couldn’t get half of those colors because they were only available in certain art stores, and they were so expensive with The Australian dollar for some reason.
All that is to say, I still use that post as my Bible on watercolor. I’m so glad his blog is still available to the world as a resource
You can go on eBay and look for Esterbrook nibs. You want the ones that are described as very flexible. If you can’t find one, I’ve got a lot and happy to share.